When I was studying woven textiles at Loughborough College of Art and Design, I went on a trip to Glasgow and saw an exhibition of tapestry by Lynne Curran. It was the first time I had seen contemporary tapestry weaving, and the first time I had understood the process of traditional tapestry weaving. During the final year of my degree, my woven pieces concerned themselves with colour and texture, my paperwork with shape, drawing and narrative. I went on to work with embroidered textiles, because I could make a living at it and because the opportunities to weave were so few (and commercial weaving so soul less). In London, I did a short course in tapestry weaving, taught by Pat Bloor. Having learnt to weave cloth, it was difficult to weave freely and create images. It's now years later and finally, the strands are coming together: the visual language, the patience to weave and the decision to commit to a craft. So here I am weaving again.